Posted on 11/28/2021 03:03 AM (National Catholic Reporter)
Posted on 11/27/2021 18:00 PM (CNA Daily News)
Denver Newsroom, Nov 27, 2021 / 09:00 am (CNA).
During the holidays, nativity scenes and Christmas trees decorate most Catholic homes, but what about Advent wreaths?
Advent wreaths are traditionally made from evergreen branches and have four candles. The four candles represent the four weeks of Advent—three candles are purple, and one is a rose color.
The purple represents prayer, penance, and preparation for the coming of Christ. Historically, Advent was known as a “little Lent,” which is why the penitential color of purple is used. During Lent, we prepare for the resurrection of Christ on Easter. Similarly, during Advent, we prepare for the coming of Christ, both on Christmas and at the second coming.
The rose candle is illuminated on the third Sunday of Advent, known as Gaudete Sunday. At Mass on the third Sunday, the priest will also wear rose colored vestments. Gaudete Sunday is a day for rejoicing and joy as the faithful draw near to the birth of Jesus, and it marks the midpoint of Advent.
“The progressive lighting of the candles represents the expectation and hope surrounding our Lord’s coming into the world and the anticipation of his second coming to judge the living and the dead,” says the USCCB.
During the Advent season, the faithful will also notice a common theme in the Gospel readings. The readings focus on preparation or “making straight the path of the Lord,” penance, and fasting. All of these things remind us of the importance of preparing our hearts for the Lord and making room for his presence in our lives.
Did you know?
The Advent wreath originated from a pagan European tradition, which consisted of lighting candles during the winter to ask the sun god to return with his light and warmth.
The first missionaries took advantage of this tradition to evangelize to people and taught them that they should use the Advent wreath as a way of preparing for Christ’s birth, and to celebrate his nativity and beg Jesus to infuse his light in their souls.
The circle of the Advent wreath is a geometric figure that has neither a beginning nor an end. It reminds us that God does not have a beginning or an end either, which reflects his unity and eternity. It is a sign of the unending love that the faithful should show the Lord and their neighbors, which must be constantly renewed and never stop.
The green color of the wreath represents hope and life. The Advent wreath reminds us that Christ is alive among us, and that we must cultivate a life of grace, spiritual growth, and hope during Advent.
Bless your Advent wreath
The blessing of an Advent wreath takes place on the First Sunday of Advent or on the evening before the First Sunday of Advent.
When the blessing of the Advent wreath is celebrated in the home, it is appropriate that it be blessed by a parent or another member of the family.
To bless your Advent wreath at home, follow our guide, “How to bless your Advent wreath at home.”
Posted on 11/27/2021 17:20 PM (CNA Daily News)
Vatican City, Nov 27, 2021 / 08:20 am (CNA).
Pope Francis released a video message on Saturday about bringing the joy of the Gospel to Greece and Cyprus, where he will travel Dec. 2-6.
“I am preparing to come as a pilgrim to your magnificent lands, blessed by history, culture and the Gospel,” the pope said in the message published Nov. 27.
“I come with joy, precisely in the name of the Gospel, in the footsteps of the first great missionaries, especially the Apostles Paul and Barnabas,” he added. “It is good to return to the origins and it is important for the Church to rediscover the joy of the Gospel.”
Pope Francis asked for prayers as he prepares for the five-day journey to the cities of Nicosia, the capital of Cyprus; and Athens, the Greek capital; as well as the Greek island of Lesbos.
He will first travel to Cyprus, where on Dec. 2 he will meet Catholic clergy and lay people at the Maronite Cathedral of Our Lady of Grace. He will also visit the president and other political authorities.
On Dec. 3, the pope will visit His Beatitude Chrysostomos II, the Orthodox archbishop of Cyprus, and meet the Orthodox Holy Synod of bishops. The same day, he will celebrate Mass and hold an ecumenical prayer service with migrants.
In Athens on Dec. 4, Francis will meet Greece’s political leaders, Catholic clergy, a group of Jesuits, and another Orthodox leader: His Beatitude Ieronymos II, archbishop of Athens and All Greece.
Before offering Mass in Athens on Dec. 5, the pope will fly to the island of Lesbos, where he will visit refugees at a reception and identification center in Mytilene.
His trip will conclude with a gathering of young Catholics, before flying back to Rome on Dec. 6.
It will be Pope Francis’ second visit to Lesbos, also known as Lesvos, home to the infamous Moria refugee camp that was damaged in a fire last year.
In his message ahead of the trip, the pope reflected on the Mediterranean Sea, which has both welcomed many people at its ports, but also become the unintentional cemetery of the many migrants and refugees who died while trying to reach a new life in Europe.
“As a pilgrim to the wellsprings of humanity, I will go to Lesvos again, convinced that the sources of common life will only flourish again in fraternity and integration: together. There is no other way and with this vision I go to you,” he stated.
Francis said he is looking forward to meeting all the people of Cyprus and Greece, not only Catholics, and highlighted his meetings with the two Orthodox leaders as fostering “an apostolic fraternity that I desire a lot.”
“As a brother in the faith, I will have the grace to be received by you and to meet you in the name of the Lord of Peace,” he said.
Both Cyprus and Greece have populations that are majority Greek Orthodox. Around 72% of people in Cyprus are Christians and 25% of the population is Muslim, according to the Pew Research Center.
Cyprus has about 11,000 Catholics, according to its national statistical service, and Greece is home to about 50,000 Catholics (0.5% of the population).
Addressing the countries’ small Catholic populations, Pope Francis said: “I come to you, dear Catholic sisters and brothers, gathered in those lands in small flocks which the Father loves so tenderly and to which Jesus the Good Shepherd repeats: ‘Fear not, little flock’ (Luke 12:32). I come with affection to bring you the encouragement of the whole Catholic Church.”
The countries of Cyprus and Greece are also linked through the Apostle Paul, who traveled to both areas. The Acts of the Apostles records that St. Paul stopped in Cyprus and converted the Roman Proconsul Sergius Paulus to Christianity. The Apostle also famously preached on the streets of Athens.
Posted on 11/27/2021 17:12 PM (The Daily Register)
Posted on 11/27/2021 16:42 PM (CNA Daily News)
Kingston, New York, Nov 27, 2021 / 07:42 am (CNA).
Sacred artist David Troncoso paints in the Renaissance style with DaVinci, Michelangelo, and Rafael as his guides. His art, he says, draws him closer to God and has deepened his prayer life.
Troncoso, 35, a some-time resident of Long Island, produces large oil paintings with gesso and frames he makes by hand. When not at his physical studio in Kingston, N.Y., he travels and works from a camper van, which he renovated during the pandemic.
His dedication to the daily craft of producing art led recently to a 2nd place award in the Catholic Art Institute’s Sacred Art Competition. The winning piece? A dramatic depiction of St. Michael slaying the devil on a golden background in a frame he built from scratch.
Troncoso was featured on BYUtv’s series artFUL earlier this year, a series, which according to their website, is “about the inner workings of the creative spirit and how personal faith influences artists and their art.”
CNA had a chance to talk with Troncoso about his art, his faith, and his plans for the future. The interview has been edited for length and clarity.
How did you discover art? Is it something you’ve always done or did you find it later in life?
I’ve always been drawing, ever since I was a little kid. I loved drawing Looney Tunes, and from there, I went to superheroes and comic book characters. I was constantly drawing portraits and making comic books. Then, as I got older, I learned more and more about artists of the past, and eventually what it means to be a renaissance artist. I wanted to learn from the best.
What has been the most meaningful experience in terms of your training as an artist?
The most meaningful was that I studied at the Grand Central Atelier in New York City and that’s where I really learned how to refine my drawing technique to be more realistic. When I left there, I started going to all the museums in the city, especially the MET. I would spend every day copying and sketching old master paintings and drawings, and then do an exact replica of the paintings from the museum.
What do you find beautiful or intriguing about Renaissance art?
There’s many things; I look at it from so many aspects. First, there’s the craftsmanship involved, and how long it takes to make these great works of art. I know all the time that the artists put into it to learn anatomy, and how to draw correctly, how to paint forms. They studied for years and years under their masters, so there's just so much craft and technical knowledge that I love about it.
Then, there’s the colors that I love that you maybe don't see in contemporary work. Then, what the paintings are actually made of — like the wood — all these paintings start from freshly dried wood and glue to make a panel. Then, you make the gesso out of rabbit skin and powdered pigment. You’re making it from scratch, you even make your paint. I like the idea that everything you are doing, you are making it yourself.
Then, also, it's the spiritual aspects of it. I find, in these paintings, they're searching or they speak about higher things that contemporary work or modern work doesn't really do.
That actually leads into my next question: Would you mind telling us a little bit about your personal faith journey and what that means to you?
It goes along the same lines as I discovered Renaissance work. I became obsessed with wanting to make Madonnas, and at some point, I had to question, “Why do I want to make these beautiful paintings of Mary or Christ?” and it just led me down the path of questioning my spirituality and religion. I learned more and more about being a Catholic.
The more I learned about Renaissance work and these Christian symbols, I began to pray more and pray to be able to paint beautiful things or to have beautiful ideas. It led me to, in the morning before I start, I would pray and ask God to guide me to make something beautiful for him.
My artwork and my faith is so wrapped up into each other, and it's this very personal experience. I have this feeling that your creativity, your imagination, it comes from the divine. It doesn't come from this world. It comes from the heavens. So, as an artist, it's like God speaking through you as a medium, and that's how I like to think about it.
Have you ever faced any kind of resistance or misunderstanding when you tell somebody that you enjoy painting religious art?
In the art world, I never feel like I really fit in. I never wanted to be an artist where I’m talking about myself or my ego. I never wanted to be that artist or “this show is about me.” I always wanted to make work for beauty, for God, for higher aspirations.
The art world today, I don’t understand it. I can’t connect with it. Medieval Renaissance all the way up until the 19th century were, for me, the best painters, and they were all producing work about and for the Church. You had beautiful narrative paintings about biblical subjects. At some point, society turned away from history, religious narratives, and beautifying spaces. It’s moved away from trying to talk about the divine God, our spirituality, and our place in this world.
What does a typical day look like for you in your line of work?
I like to wake up early, have my coffee, and get into the studio early. My studio is in this old building from 1742 — it predates the Revolutionary War — and it has beautiful Gothic windows. It almost feels like I’m in a monastery. It's so quiet. As soon as I go there, I feel like it’s this very sacred sort of space. I like to say a prayer, focus, and get into my zone.
Every day for the last seven or eight years, I’ve listened to the same music, these classical composers. I start the day, every day, with John Field’s “Nocturnes,” and then it eventually leads into baroque and medieval music.
I’ll work on a painting for a few hours, and then I’ll have to put it aside so I don’t overdo it. Then, I might work on a new idea or finish up some old ones. I’m also a woodworker, so I build and carve all the frames that I have for my artwork. So, some days will be spent in my wood shop, carving and building elaborate frames that I gesso and guild myself as well.
Beyond your studio, what does home look like for you?
Well, I’ve been living in a camper since the beginning of COVID. My fiancé and I renovated a 24-foot camper and have been living in it and traveling in it. I have a mini studio for when I’m on the road. It’s so much fun, it just felt like the time was right. There’s so much of the country we want to see. We got it [the camper] from our aunt, gutted the inside and rebuilt everything, so it’s very homey inside.
We park it at campsites or at family’s property if we’re in upstate New York. If we go down to Long Island, we park it at my parents’ house. We spent the whole summer at the beach. I can bring portable tools with me while I’m doing that, and I use hand tools as well, so I don’t need any power for that.
I’m jealous! Of all the places you’ve traveled, which has been the most inspiring for your creativity?
I don't know if it's because I grew up by the ocean, but I'm drawn to the sea very much. We love to go up to rocky, treacherous coastlines. We spent an amazing time up in Newfoundland for a few weeks, and that was an incredible experience with its rocky coasts. Also, Iceland was incredible. It was just out of this world, it was just such a special, amazing landscape. Rocky, stormy coastlines really gets me, and I feel that power of nature. When you feel that power of nature, then you also feel the power of God in a way.
In thinking a little bit about the many years you’ve produced art, have you ever come across a mental block or a time when it was really challenging to create? If so, what was that like?
Yeah, I feel like I go through that all the time. Being an artist, it’s like one of those things you just accept. It’s like this rollercoaster — sometimes you're producing a lot of work and you feel this creative spirit. There’s new ideas coming to you.
Then, you work on a project, but when the project is over, you can fall into a depression sometimes. It’s almost like being in a relationship; you’re in a relationship with this painting, with this idea, and then once you close the book on that, it’s done. So, you could feel empty at times.
It happens a lot, but once you get into those lows, I think those are the moments when you question things more or you question life more. It’s a time to rethink things. It could be a daily thing, it could be monthly, but it happens all the time.
What are some ways or techniques you have to break through those creative blocks?
I find meditation and prayer works a lot, and then sometimes I just have to do something completely different from art. I’m really into vintage motorcycles, so something like that where you get away from your art world and you go onto something different. I’ll get one, strip it apart, take the engine apart, gut it, and clean it, and it’s sort of meditative. All the parts have to go back in the right place, and all your hard work when you try to start it up, and it starts up. It’s an amazing feeling.
Also, I play a lot of instruments, so that’s something I might do. I’ll grab a banjo, ukulele, or a guitar and strum on that.
Of all of the different pieces of art that you've created, what is the one that stands out the most to you or that you're most proud of?
I'd say the most proud of is this one I just finished up, the altarpiece I've been working on for the last few years. That's sort of the accumulation of everything I've learned, from everything I've studied at school, classical painting, old master works, and woodworking. I put a year of planning into it, making blueprints and sketches and bigger sketches. I built the panel that you paint on. I got raw lumber from a lumberyard — I cleaned it and jointed it, and learned how to glue up a large panel and made everything from scratch. It was everything I’ve been striving for as an artist.
The large piece you mentioned was temporarily installed in a church. What was it like to have a piece like that of yours installed in a sacred space?
I didn’t even know it was going to happen. When the artFUL crew came to film, I had the piece set up in my studio. They said, “No, this really belongs in a church,” and they worked some magic. They called up the church and they said we could install it there for a bit. We got a U-Haul and carried it around the block.
It was all set up — they had the lights on, and I went into the church to see it. I became emotional. I didn’t realize it would affect me that much. I get hard on myself about my own work, but seeing it in a church was like it was at home. It was everything that I had been working so hard for all these years. It was a very special moment.
Tell me more about artFUL. I heard they just showcased your work. Can you tell us about how you got connected with BYUtv for the episode?
I got an email one day and they were like, “Hey, we really like your work and we’d love to see if you would be a good fit for the show.” I had a phone interview, and a couple weeks later, they said, “We’ll be there in a month.”
It was such a fun experience. They filmed for about two and a half days, from 7 in the morning to 9 or 10 at night, some interviews and some art. They got a taste of my life and whatnot. I’m a very private person, so it was very out of my element, but it was such a cool experience.
What advice would you give other budding artists, or perhaps, a younger David Troncoso?
Definitely study the old masters to the fullest — see what they did and try to learn from them. Then, the biggest thing is perseverance. I failed so many times and on so many projects, and I tried to give up art many times. You are an artist and you can’t give it up. Don’t doubt yourself, keep working hard, and have faith.
What’s next for you? What other pieces can we expect to see in the future?
I’m working on a whole new body of work right now, so that’s pretty exciting. There's a few Virgin Mary commissions, which will be paintings and frames, and some other work that incorporates a lot of woodworking as well.
I'm also starting to work with the architects and designers to make paintings for churches and cathedrals. My main ambition is to keep connecting with people and to keep making beautiful things for the church.
Posted on 11/27/2021 16:13 PM (The Daily Register)
Posted on 11/27/2021 14:00 PM (CNA Daily News)
Vatican City, Nov 27, 2021 / 05:00 am (CNA).
Pope Francis on Saturday appointed a longtime Vatican diplomat to be his papal envoy to Medjugorje, following the death of Polish Archbishop Henryk Hoser in August.
Hoser had overseen the pastoral situation in Medjugorje, the site of alleged Marian apparitions in Bosnia and Herzegovina, since 2017. He died in Warsaw at age 78 after a long illness.
Pope Francis on Nov. 27 named Archbishop Aldo Cavalli, 75, special apostolic visitor to the parish community of Medjugorje for an indefinite period.
Cavalli has been apostolic nuncio to the Netherlands since 2015. He is from the northern Italian diocese of Bergamo and entered the diplomatic service of the Vatican in 1996.
His first post was apostolic delegate to Angola, where he later served as apostolic nuncio. He has also been apostolic nuncio to São Tomé and Príncipe, Chile, Colombia, Malta, and Libya.
Pope Francis first appointed a papal envoy to Medjugorje in 2017, with the directive to oversee pastoral needs at the site of the alleged Marian apparitions.
In the Netherlands, Cavalli helped resolve issues around another alleged apparition, associated with the Marian title of “Lady of All Nations.”
The apparition is alleged to have occured 56 times to Ida Peerdeman in Amsterdam from 1945 to 1959. In 1956, the local bishop ruled that there was no evidence the alleged apparitions and revelations were supernatural in origin. The Vatican’s Congregation for the Doctrine of the Faith (CDF) confirmed this position the following year and in 1972 and 1974.
In 2002, Bishop Jozef Marianus Punt broke with the decision of his predecessor and declared the apparitions to have a supernatural origin, sparking a debate about whether he had the authority to overturn a decision which had been affirmed by the CDF.
In 2020, the Vatican re-affirmed its 1974 ruling about the apparitions’ authenticity, and in January, the Vatican’s doctrinal office urged Catholics not to promote “the alleged apparitions and revelations” associated with the Marian title of “Lady of All Nations,” according to Bishop Johannes Hendriks.
Since their beginning, the alleged apparitions at Medjugorje have been a source of both controversy and conversion, with many flocking to the city for pilgrimage and prayer, and some claiming to have experienced miracles at the site, while many others claim the visions are not credible.
The purported apparitions originally began June 24, 1981, when six children in Medjugorje, a town in what is now Bosnia and Herzegovina, began to experience phenomena which they have claimed to be apparitions of the Blessed Virgin Mary.
According to the alleged visionaries, the apparitions conveyed a message of peace for the world, a call to conversion, prayer and fasting, as well as certain secrets surrounding events to be fulfilled in the future.
These apparitions are said to have continued almost daily since their first occurrence, with three of the original six children – who are now young adults – continuing to receive apparitions every afternoon because not all of the “secrets” intended for them have been revealed.
In January 2014, a Vatican commission ended a nearly four-year-long investigation into the doctrinal and disciplinary aspects of the Medjugorje apparitions and submitted a document to the Congregation for the Doctrine of the Faith.
Pope Francis granted Catholics permission to organize pilgrimages to Medjugorje in 2019, though the Church has not yet given a verdict on the authenticity of the apparitions.
Posted on 11/27/2021 12:36 PM (The Daily Register)
Posted on 11/27/2021 12:31 PM (The Daily Register)
Posted on 11/27/2021 10:00 AM (The Daily Register)